Broadcasting Culture in the U.K Dissertation Example | Topics and Well Written Essays - 10000 words

Broadcasting Culture in the U.K - Dissertation Example(2) suggest, closely related to wider controversies revolving almost race, class and sexuality. The methodology of this study will be that of a careful examination of what the movie earshot actually sees and further, how these images/sounds influence their c menstruateing interpretation of gender roles within the film. Thus an analysis somewhat kindred to the close-analysis of literary theory will materialize in which what Bert States calls the thing itself (the film) will be considered together with its catalyzing issuance upon the thoughts of the audience (States, 1). Due to the fact that this close analysis will involve a fairly critical examination of the movies, twain representative movies will be chosen for each of the decades concerned Tarantula and psychotic person from the 1950s and Fight Club and Thelma and Louise from the 1990s. While other movies will be mentioned, a discussion of just iv examples in detail mig ht seem a decidedly flimsy framework on which to hang an analysis of gender roles in film, but the depth of analysis likely by choosing just a few examples enables a firm foundation for the ideas to be laid. If an analysis descends too much into generalities it is liable to reverse just that, generic films are best examined as the viscerally simple and yet overwhelmingly tortuous things that they are. A skimming over multiple films does not enable this. CHAPTER 11. High Heels in the science lab A Close Look at the Portrait of Femininity in the 1950s Classic TarantulaIt is possible to watch the apparently generic 1950s monster movie Tarantula without discerning the message that is almost subliminally contained with it that a woman can pursue a career... This dissertation reveals that different constructions of the masculine and the feminine have occurred since the low of Western dramatic literature in Ancient Greece, and have been continued within that most mod of art forms fil m. The camera is traditionally seen as male, and it has a gaze that supposedly dwells upon the outer features of the distaff body while ignoring the complex human race being beneath. The opposite is meant to be true of the man, who enjoys the position of having his consciousness admired and his body ignored. When the camera looks at this body and the actions of the human beings within them in a sturdy and more ambiguous manner, as has been shown in the four films discussed here, a more complex interpretation of human gender roles is possible. Thus Steve in Tarantula is a sexy, voluptuous woman and also a potentially brilliant scientist. The heroine of Psycho is equally feminine but takes on the masculine, active role of the pillager trying to abscond with the money. Norman Bates controls his own world, and in fact literally gazes at his future dupe through a peep-hole, but reveals surprisingly feminine features and neuroses. Indeed, the role of Mother that he takes on to execu ting people might be seen as the spectacularly unsuccessful attempt to subsume this feminine side. These two films, the representative of the 1950s, were written at a time when gender roles were fairly rigidly enforced, although the stirrings of the massive changes that would occur during the 1960s were starting to occur.